Glasgow POP Up Gallery

Bones of the Land by Jay Anderson

Getting ready for our new POP Up gallery weekend and so much to do.  Delighted to be exhibiting with my daughters (a first!) Kirsty aka awoodentree and Lucy who's on Instagram.  Then there's Cameron with his lovely marquetry. I'll get links to the other exhibitors but you know what some artists are like when they leave everything to the last minute (me included!). It's on 1st and 2nd of December at The Vacant Space Gallery on Argyle Street.  Contact me if you want any further info!

'Bones of the Land' Workshop Ladybank

So pleased that I went to the 2 day advanced drawing masterclass workshop with the wonderful artist Kate Downie.  'Bones of the Land' allowed us to develop printmaking, mark-making and drawing approaches in response to the surrounding Scottish countryside in winter.  Been a long time since I've developed work in a sketchbook and I attended with a bit of trepidation but I was so pleased I did go!  The whole point was to take me out of my comfort zone and for me to work with new materials and techniques.  I'll be posting pics over the next few days.

Leo et Pipo

Leo & Pipo - Business Reply Male, by Cless

Leo & Pipo by Fitz

Leo & Pipo by Claudio Parentela 1

I love the idea of this - Imaginary portraits of Leo & Pipo (2 French artists - I believe) made by other artists from all around the world.

Etsy Front Page (UK)

Copy of Front Page from Olga's blog

Thanks Olga for choosing my work in this lovely treasury - now on the UK Front Page!

Etsy Front Page

Some hard work paying off - though I'll never know how they decide! LOL!

The Power of Making : V & A

I must get down to see this - it's on till January I think,

Creative Interviews : Maria Pace-Wynters

Canadian artist Maria Pace-Wynters works in mixed media using her children as her inspiration for her work.  Her favourite materials tend to be paper, wood, sparkles, acrylic ink, tissue and pastels.  A great big thank you to her for taking the time to answer my questions and now let's read her answers.

Shy Circus Girl

What do you love most about what you do and is there a down side
Sometimes I have to pinch myself when I think about being an artist for a living. I wanted to be an artist as a little girl and although I have always created, I can honestly say that I couldn't really call myself an artist until three years ago. I guess I love that I have seen it through, that dream. I love that I don't have to regret that I didn't follow through on my dream. This came to me at forty. I realized that it was now or never. I am so glad that I made the choice for now. I love the magic of being an artist. I will never tire of a blank canvas coming into being. For me, this is the same with all arts. My husband is a song writer and I love being privy to him pulling a melody out of the air and making it something. We get to do that every day. We are blessed. The down side would be not always being able to get our kids everything they want or going on family vacations together because we don't always have the funds. Living by the seat of your pants, sometimes makes me feel like I am an irresponsible parent. I wish that this could be different but we are driven to do our art and this is the way it has to be. Recently I have noticed the pride in our kids when they tell people what we do for a living. What could a parent love more than that?

Pink Halo

In your portfolio what are you most happy with
First of all, I a most proud that I have painted almost every day for the past three years. That is a huge accomplishment for me. When I look back on my past work, I am often proud of the areas in my paintings that I have left. I have a tendency to get very tight and ridged when I create and when I see a piece that has a great modulated line or a painterly brush stroke or drips, I can say 'yes, that part makes it all work together.' The push and pull of a worked area juxtaposed with a loose area in a painting has always intrigued me and if I can accomplish it I feel like I have achieved what I have set out to do. That feels good. Also, I love to play with colour and I am really pleased with some of my colour experiments. My painting use to be very dark but when I had my children that seemed to change. I guess you could say that they brought colour into my life. I much prefer my palette now and when I look back on older paintings have to resist the urge to go back into them with some bold colour.

Frog Prince

What’s your perfect working day like
My perfect working day can be all day or merely and hour. It is more about being able to quiet the voices and loose myself in a piece. Sometimes I can spend hours just trying to get to that place and I am trying to learn that this is often a huge waste of time. When I feel this way, it would be so much more useful to remove myself from my studio and do something that is either inspiring or useful. Just accomplishing folding a basket of laundry,cooking supper or tiding my work space can make me feel like I have not wasted my day. Wasting time irks me and seems to stop me from being able to loose myself in a piece. It becomes cyclical. A day of balance is the best. If I have a day where I can loose myself in a painting and am able to pull out something authentically good, fulfill my family duties, keep harmony and peace and am able to make a supper that everyone enjoys in thirty minutes or under, THAT would be perfection!


Paper Dreams

Who influences you creatively
Well, my muses are my daughters. They are the reason that I paint. I can not help but to want to capture their beauty. Artists that inspire me are vast.When I was at University, I took many, many art history classes. I often embarrassed myself by gasping out loud at a painting that took my breath away. For me some breath stealing artist are: Picasso (his blue/rose period make me weak in the knees). Degas (those ballerinas and the sculpture of 'The Little Dancer'make my heart ache). Toulouse Lautrec ( His fluid line moves with such ease, it shows what an amazing draftsman he was) Klimt ( his use of pattern and design and his red heads) Sargent ( His paintings are like dreams especially "Chinese Lanterns") De Kooning (He is so painterly and loose, his work has such an amazing energy) Jean-Michel Basquiat, Edvard Munch, Matisse, Chagall, Edouard Vuillard, Mary Cassatt, Egon Sheile, Modigliani, Emily Carr and so many more art constant sources for inspiration form me. I think that I took 15 years after university for my brain to quietly sift through all these great artist and now, subconsciously, the stuff that has stayed with me, the stuff that I love, is what I am looking for in my final paintings.


Daydream

Have you ever or do you have a PLAN B Nope. Scary as that is, I have invested so much time, money, and energy in what I do that I just have to keep going and hope that it all works out! YIKES!

Little Dancer

Where’s your own favourite place to work and why
My studio is in the loft of our 1910 three story house. It looks out over the roof tops and toward the city. It sounds great but in reality I share it with the kids play area, the exercise bike and I don't have a sink. I have my dream studio all worked out in my head but I have learned over the years that if we wait for everything to be perfect we can miss out on a heck of a lot. I am more grateful that I learned when I did than I would be for any big fancy studio and possibly no inspiration.

Lost in your dreams

How much time do you or can you give to make a piece of work
This varies. Sometimes a small piece can take almost as much time a big one. Something I realized this year is that my best paintings are the ones that sit around half finished for ages and then, in a flurry, I will finish them. They need to percolate or something. I often have many half started painting sitting around, waiting for me to grab them and finish them. I often look at my paintings longer than I actually apply brush to surface, for this reason, it is hard to say how long a painting takes me to complete.

Who do you think I should interview next 

Gillian Lee Smith

TheBrilliantMagpie

Amelia K

Maria's Link -

Twitter

Facebook

Wordpress

Etsy

Creative Interviews : Cecilia Levy

Swedish artist and designer Cecilia Levy achieved an MFA in Graphic Design and went on to work as a teacher in graphic design at the College of Arts and Crafts in Gothenburg. Longing to work more by hand she studied bookbinding for a year at Leksands Folkhögskola.

Combining the professions of graphic design, bookbinding and illustration, she does commission work and is a member of the arts and crafts cooperative Kaleido in Uppsala, where her paper products are for sale.

Cecilia teaches bookbinding to art and design students in schools around Sweden. As an artist she works mainly with paper, creating 3-dimensional objects from old books or drawing in pencil or ink. Her art is exhibited in solo and group shows in Sweden and abroad. So it's a great big thank you to Cecilia for giving me some of her precious time.

Flickr

What’s your local area like in terms of supporting creatives
I'm a member of an arts and crafts cooperative (Kaleido) in one of Sweden's largest cities. Twenty members run a shop and gallery in together, taking turns working there, selling our handmade products. It's great to be part of something bigger. 

Flickr

How would you describe yourself in five words 

curious, accurate, adaptable, responsive, humble

Saucer

Give me the names of 3 objects or things you dislike most and why 

• gadgets/toys that come with childrens meals/magazines – I don't approve of advertising directed at children
• cheap bad quality products made to break. To think that somebody, somewhere in the world, is actually designing and manufacturing something intended not to hold...
• golf, water scooter (i.e. jet ski) and such egoistical “sports”. Devastation of nature and marine life.

Tolstoy

Tell me about something you've achieved 

Being a parent.

What’s your ideal working day.
Wake up at 6.15. Breakfast with husband Mattias and our two daughters, Olivia and Rosa (15 and 12 yrs old). The girls go off to school and Mattias and I go for a long brisk walk in the woods with our dog, cairn terrier Asta. We then have tea and biscuits, and after that my workday begins. I'm a slow starter...

Necklace

Who influences you creatively. 

The web is my main source of inspiration, can't mention one specific person.

Are you usually late, early or right on time
Late...

Black Ball

Do you like to shop 

Yes and no. I love second hand, vintage and thrift shops. Handmade products and good quality. But I don't like excessive consumption – the 'shop til you drop' mentality.

Where would you go in the world for inspiration 

Japan 

Exhibition

What piece of work are you most proud of
I'm rather proud of my paper objects.

Close - up detail

What would you like to develop further or learn to do
Learn more about paper and explore it's possibilities.

Who do you think I should interview next 

I'd love to read about these paper artists:

Mary Button Durrell - USA

Cindy Ferguson - USA

Kylie Stillman - Australia

Cecilia's links -

Web

Flickr

Blog

What is Craft

Jeroen Verhoeven

Excellent piece in the V & A website about defining what is craft from key figures in the industry at all levels - well worth a read!  Here's a little taste below from Edmund de Waal - Practitioner.

'Craft is a starting place, a set of possibilities.  It avoids absolutes, certainties, over-robust definitions, solace.  It offers places, interstices, where objects and people meet.  It is unstable, contingent.  It is about experience.  It is about desire.  It can be beautiful.'

Artyzan At The Emporium

Debbie

Detail of Debbie's work

Marianne

Detail of Marianne's work

Jewelery designer Susan Urquhart

Exciting new creative adventure in Kirkcaldy's High Street - the opening of 'The Emporium' featuring Artyzan and other local makers, artists and designers.

Folksy Feature



Folksy Features in Blues

New Folksy Feature in collaboration with Pinterest. So I had a try out. It took a wee while to produce and I do find Folksy a wee bit slower to work with - it doesn't seem to have a colour selector. Has anyone else tried it?

Creative Interviews : A '1 Year On' Birthday Thank You!! Part 2

Jennifer Kinsley

Jo Cheung

Kirsten Miller

Lisa Kokin

Lovelysweetwilliam

Mariska Wright

Sam Battersby aka matou en pelouche

Creative Interviews : A '1 Year On' Birthday Thank You!!

A great big Thank You all the amazing people who have taken the time to support my Creative Interviews.  I can't believe I've had the opportunity to show off such diverse and interesting creatives.  

Adam Monsterosity

Amity Roach

Cathy Cullis

Deborah Beau

Gillian Bates
 

Hattie Stewart

More to follow!